At the edge of the world, a voice tries to make itself heard, a whisper slipping between the threads of an unstable reality. In the remote lands of Svalbard, a few hundred miles from the North Pole, lie millennia-old entities, relics of a disappearing species. They murmur in a language that humans today no longer …[Read More]
Even before its publication, my partner stumbled over the book The Quickening by Elizabeth Rush on Twitter and send it to me. In this book, Rush describes her journey to Thwaites Glacier and – as I was very curious about it – I bought it immediately after its release. It is not only documentary work …[Read More]
Sastrugi are significant features in glaciology, providing valuable insights into wind patterns, snow dynamics, and surface processes. So although at first sight they may be easy to walk over (quite literally), their patterns and features can tell us more than you might think, so next time take a moment to look and see the story …[Read More]
In the frozen expanse of Antarctica, where the remote environment tests the limits of scientists, a unique relationship between science and art can emerge. As the isolation, weather and beauty of the ice-covered continent introduce themselves, some Antarctic individuals find solace in the realm of art. In this blog post, we delve into the interplay …[Read More]
Do you think that it is sometimes challenging to understand science (as a reader or listener) or to explain it (as a scientist)? Then, art may be a good solution to the problem. Between April and June 2023, Zacharie Bodson (artist) and I (climate scientist) are participating in the Seas and Oceans exhibition to explain …[Read More]
Whether they are natural occurrences or experimentally induced, permafrost and Arctic ecosystems are responding fundamentally to recent climate extremes. Good writing and statistics material for us scientists, but bad news on pretty much every other level. Are we effectively communicating how fundamental these changes are? And can we use our personal experiences, stories and artwork …[Read More]
> Reflections from an ongoing art-science research project Common Grounds < How to visualize thousands of thousands (> 20,000,000) of data points collected in the Arctic atmosphere and subsurface at a permafrost observatory over 25 years? How to tell the story of permafrost, ground that is permanently frozen and an important part of the cryosphere, …[Read More]
I really like to combine science and art. This puts science in a larger perspective and can help understand it in different ways. And perhaps more importantly, it evokes emotion. I wrote haikus and created stencils for every chapter of my PhD thesis. I created these artworks to illustrate the dimensions of the permafrost region …[Read More]
Most problems faced in research are complex and require creativity and critical thinking. Thus, we need to be creative in science! Or maybe, science itself is creative and there is no such thing as non-creative science. Anyhow, in today’s world, where TED-talks, science slams and elevator pitches, not to mention tweets, are ubiquitous, it is …[Read More]
